iTunes 10 New Releases
Looking 4 Myself (Deluxe Version) - Usher
Looking 4 Myself (Deluxe Version) by Usher
Bear Creek - Brandi Carlile
Bear Creek by Brandi Carlile
Phillip Phillips: Journey to the Finale - Phillip Phillips
Phillip Phillips: Journey to the Finale by Phillip Phillips
American Idol - Season Finale - Season 11 - EP - Various Artists
American Idol - Season Finale - Season 11 - EP by Various Artists
Like That - Single - T.I.
Like That - Single by T.I.
In My Life (Glee Cast Version) - Single - Glee Cast
In My Life (Glee Cast Version) - Single by Glee Cast
Like That - Single - T.I.
Like That - Single by T.I.
Bring Me Home - Live 2011 - Sade
Bring Me Home - Live 2011 by Sade
Apocalyptic Love (Deluxe) [feat. Myles Kennedy & The Conspirators] - Slash
Apocalyptic Love (Deluxe) [feat. Myles Kennedy & The Conspirators] by Slash
Sprawl II & Ready to Start (Remixed By Damian Taylor & Arcade Fire) - Single - Arcade Fire
Sprawl II & Ready to Start (Remixed By Damian Taylor & Arcade Fire) - Single by Arcade Fire
| Release Date: | April 22, 2005 |
| Label: | London 90 |
| Rating: | 5.0 |
Having bought the CD before seeing the movie, I was disappointed by the inclusion of several songs by some bands to the exclusion of other deserving bands, but it wouldn't be a souvenir of the movie if it didn't include the songs that were central to it. At first glance it seems as though some big names from the New Wave/Madchester era are missing, such as Magazine and the Smiths, but neither of these groups were central or even peripheral to the movie, as were Joy Division and the Happy Mondays. (Despite the inclusion of several New Order tracks, the movie lost track of them right after their reformation). Both groups are well represented here, the three Joy Division songs are arguably their finest moments and they alone make the album essential.
Apart from the stellar representation of the central groups, the additional tracks are more than worthwhile. Included are fine tracks by lesser known artists A Guy Called Gerald and The Duretti Column, which serve as samplers of the groups themselves as well as the "British House" music scene. It also gets off to a killer start with the Sex Pistols' "Anarchy in the UK" and the Buzzcocks' "Ever Fallen In Love".
At worst, this album is a crass corporate grab at sentimental moviegoers' money. At best, it's as fine a compilation "mix tape" one could hope for from the Madchester scene.