iTunes 10 New Releases
Looking 4 Myself (Deluxe Version) - Usher
Looking 4 Myself (Deluxe Version) by Usher
Bear Creek - Brandi Carlile
Bear Creek by Brandi Carlile
Phillip Phillips: Journey to the Finale - Phillip Phillips
Phillip Phillips: Journey to the Finale by Phillip Phillips
American Idol - Season Finale - Season 11 - EP - Various Artists
American Idol - Season Finale - Season 11 - EP by Various Artists
Like That - Single - T.I.
Like That - Single by T.I.
In My Life (Glee Cast Version) - Single - Glee Cast
In My Life (Glee Cast Version) - Single by Glee Cast
Like That - Single - T.I.
Like That - Single by T.I.
Bring Me Home - Live 2011 - Sade
Bring Me Home - Live 2011 by Sade
Apocalyptic Love (Deluxe) [feat. Myles Kennedy & The Conspirators] - Slash
Apocalyptic Love (Deluxe) [feat. Myles Kennedy & The Conspirators] by Slash
Sprawl II & Ready to Start (Remixed By Damian Taylor & Arcade Fire) - Single - Arcade Fire
Sprawl II & Ready to Start (Remixed By Damian Taylor & Arcade Fire) - Single by Arcade Fire
| Disc 0 | |||
|---|---|---|---|
| 1 | Between two worlds | 6:27 | |
| 2 | I hear voices | 3:58 | |
| 3 | Stealin' | 4:52 | |
| 4 | Universal wheels | ||
| 5 | Time of revelation | ||
| 6 | Only the young | 4:45 | |
| 7 | Sweet freedom | 6:37 | |
| 8 | Rain | 4:01 | |
| 9 | Feels like | 4:37 | |
| 10 | Sunrise | 4:06 | |
| 11 | Heartless land | 4:46 | |
| 12 | Shelter from the rain | 6:09 | |
| 13 | Love in silence | ||
| 14 | July morning | 10:33 | |
| 15 | Bird of prey | 4:09 | |
| 16 | Gypsy | 6:39 | |
| 17 | Everything in life | 3:16 | |
| 18 | Easy livin' | 2:37 | |
| 19 | Question | 5:27 | |
| 20 | Look at yourself | 5:11 | |
| 21 | Lady in black | 4:44 | |
| 22 | Come away Melinda | 3:46 | |
The current Heep line-up has been together for 15 years. That in and of itself is startling and surprising. For my money though, 1998's Sonic Origami was the first studio CD this line-up has produced that came close to capturing the essential essence of Uriah Heep.
However, on this two-disc set, the band fully embraces its classic pedigree and rocks the rafters like no one else. Mixing both new material (from the late '80s up through stuff from Sonic Origami) with plenty of classic tunes, this package is the first release in nearly two decades that I believe oldtime fans can really rally behind.
The core of the band reminds intact: the inimitatible Mick Box on guitars, powerhouse Lee Kerslake on drums and the sturdy Trevor Boulder on bass. Phil Lanzon is on keyboards (in the wake of the seemingly irreplacable Ken Hensley) and Canadian Bernie Shaw takes over vocal duties.
Shaw is definitely the band's best singer since David Byron was sacked in 1976. On current material, he sounds a little too much like Steve Perry for my money. That was my main complaint about Sonic Origami -- Shaw lacked the subtlty, panche and etheral charm of Byron. But Shaw is BY FAR the best vocalist they've had who can do justice to the early Byron songs. He treats these tunes with great respect and sings them with passion. It always seemed to me that past Heep singers tried to make these songs their own, thus corrupting the sound that the band originally crafted -- the sound that attracted millions of fans from around the world to start with.
In fact, even the Sonic Origami material sounds better here in concert. The group kicks off "Future Echoes of the Past" with two of Sonic Origami's best tracks: Between Two Worlds (decicated on the studio CD to Byron and late bassist Gary Thain) and I Hear Voices. Both great songs made greater in this live settting. Even the late '80s stuff experiences a renaissance of sorts here -- the blistering "Universal Wheels" being a perfect example.
What will send a tingle up the spines of old time Heep fans, however, will be the reditions of, not just the classics (we expect "Gypsy," "Easy Livin" and "Look at Yourself"), but the cult classics as well. When the band tears into "Sweet Freedom" it feels like 1974 again. When that tune artfully segues into "Rain," and you will gasp. Though Shaw lacks the gentle narrative style of Byron, he does more than justice to this beautiful ballad.
Shaw also offers a wonderful reading of the band's first big hit, dating back to 1969... "Come Away Melinda." This time, if you close your eyes and drift away, you will swear it's Byron back behind the mike.
This is not to say Shaw should try and be a Byron clone. Not at all. What he manages to do here his keep his own identiy and style while treating the older material with reverence and respect, singing those classic songs (Sunrise, Bird of Prey to name a few) like the way they were meant to be sung when they were originally written nearly three decades ago.
I've been hard on the post-'70s Heep and most of the time they deserved it. So, it is with gleeful pleasure I am able to recommend this 2-disc package (with great photos and wonderful liner notes from producer Pip Williams and the band members) and give it five-star rating (which I don't give out very much!)
If you're an oldtime fan of the band, take heed. I guess it's true -- you can't keep a good band down! Uriah Heep has seemed to come full circle and instead of hiding from its past, it is embracing it. And that sure SOUNDS good.