iTunes 10 New Releases
MDNA (Deluxe Edition) - Madonna
MDNA (Deluxe Edition) by Madonna
Lively Up Yourself - Bob Marley
Lively Up Yourself by Bob Marley
A Different Kind of Truth - Van Halen
A Different Kind of Truth by Van Halen
Scars & Stories - The Fray
Scars & Stories by The Fray
Don't Wanna Lose You (Glee Cast Version) - Single - Glee Cast
Don't Wanna Lose You (Glee Cast Version) - Single by Glee Cast
Bamboleo / Hero (Glee Cast Version) - Single - Glee Cast
Bamboleo / Hero (Glee Cast Version) - Single by Glee Cast
Sexy and I Know It (Glee Cast Version feat. Ricky Martin) - Single - Glee Cast
Sexy and I Know It (Glee Cast Version feat. Ricky Martin) - Single by Glee Cast
Scars & Stories (Deluxe Version) - The Fray
Scars & Stories (Deluxe Version) by The Fray
The Fray - The Collection - The Fray
The Fray - The Collection by The Fray
A Different Kind of Truth (Deluxe Version) - Van Halen
A Different Kind of Truth (Deluxe Version) by Van Halen
| Disc 1 | |||
|---|---|---|---|
| 1 | Your love is king | 3:42 | |
| 2 | Hang on your love | ||
| 3 | Smooth operator | 4:17 | |
| 4 | Jezebel | 6:45 | |
| 5 | The sweetest taboo | 6:01 | |
| 6 | Is it a crime | 6:22 | |
| 7 | Never as good as the first time | 3:58 | |
| 8 | Love is stronger than pride | 4:18 | |
| 9 | Paradise | 4:32 | |
| 10 | Nothing can come between us | 3:52 | |
| 11 | No ordinary love | 6:10 | |
| 12 | Like a tattoo | 3:38 | |
| 13 | Kiss of life | 5:51 | |
| 14 | Please send me someone to love | 3:42 | |
| 15 | Cherish the day | 6:16 | |
| 16 | Pearls | 4:37 | |
"Smooth Operator" I had always found enjoyable with its melodic, even haunting saxophone lines and seemingly interesting lyrics about travel across the United States. "Your Love Is King" and "Hang On To Your Love" had some truly beautiful - at least I would have though on hearing them on radio - vocals that completely overshadowed the lack of depth or fire in the backing. "Jezebel" and "The Sweetest Taboo" from Sade's second album "Promises" were even slower but had proportionately more beautiful, even absorbing vocals.
However, that is where it really starts to go downhill, for on later songs there is no way in which Sade Adu's deep vocals can make up in any way at all for the lameness of her backing players. Most of the later songs really seem to stop, stop and start only in the most momentary way one could ever imagine. These songs really proved impossible for me to sit through them back in the middle 1990s when I bought this album, and I never have thought I would want to try. At times, even Sade Adu's voice can seem a little soppy rather than deep.
Apart from the early singles, there is nothing even listenable here even if the album is far less dated than most music of its type from the 1980s.