Not Top

 

End of the Century

End of the Century
 

It's Your Turn

iTunes 10 New Releases

Looking 4 Myself (Deluxe Version) - Usher
Looking 4 Myself (Deluxe Version) by Usher

Bear Creek - Brandi Carlile
Bear Creek by Brandi Carlile

Phillip Phillips: Journey to the Finale - Phillip Phillips
Phillip Phillips: Journey to the Finale by Phillip Phillips

American Idol - Season Finale - Season 11 - EP - Various Artists
American Idol - Season Finale - Season 11 - EP by Various Artists

Like That - Single - T.I.
Like That - Single by T.I.

In My Life (Glee Cast Version) - Single - Glee Cast
In My Life (Glee Cast Version) - Single by Glee Cast

Like That - Single - T.I.
Like That - Single by T.I.

Bring Me Home - Live 2011 - Sade
Bring Me Home - Live 2011 by Sade

Apocalyptic Love (Deluxe) [feat. Myles Kennedy & The Conspirators] - Slash
Apocalyptic Love (Deluxe) [feat. Myles Kennedy & The Conspirators] by Slash

Sprawl II & Ready to Start (Remixed By Damian Taylor & Arcade Fire) - Single - Arcade Fire
Sprawl II & Ready to Start (Remixed By Damian Taylor & Arcade Fire) - Single by Arcade Fire

Ramones

End of the Century

 
Cover End of the Century click the image to get it in cd-cover size
Release Date:
Label: Warner Brothers
Rating: 4.0
 
»» Download End of the Century for free
Description: End of the Century is the musical documentation of a form looking for rebirth. Having burned itself out in four short years by 1979 (that's a short century!), punk rock cast about for a spark to reignite the flames. The Clash found it in political rage and musical wanderings; the Ramones found it by infusing their already well-honed pop sensibilities with a huge dose of pathos. Who'd have thought these boys--the same ones who cried "Gimme Gimme Shock Treatment" and who wanted to "Beat on the Brat (with a Baseball Bat)"--had it in them?

The concept looks great on paper. Combine the famed "Wall of Sound" producer Phil Spector with the three-chord, three-minute, speed-laced ditties of the Ramones--and it sounds even better on vinyl. The Ramones never needed any help sounding massive, but Spector's production brings out subtleties hidden within, making Johnny's lone Mosrite guitar blaze like a bomb squadron, coaxing some evocative and emotional singing from Joey, even (gasp!) shading some of the songs with strings--punk-rock sacrilege in those days. The Ramones live up to the task by writing some of their best--and most overlooked--songs to date. "Rock & Roll High School" and "Do You Remember Rock & Roll Radio?" are exhilarating (and somewhat nostalgic) bids for commercial recognition. Even the covers here--"Baby, I Love You" and "Chinese Rocks"--transcend the original source and become solid members of the Ramones' community of songs. Though they've been accused of rewriting the same album over and over, End of the Century proves the Ramones were much smarter, more adventurous, and more innovative than we'd ever expected. --Tod Nelson

 
 

 
Tracklist of End of the Century

Disc 1
1 Do You Remember Rock 'N' Roll Radio?  3:16 view lyrics
2 I'm Affected  2:55 view lyrics
3 Danny Says  3:09 view lyrics
4 Chinese Rock  1:59 view lyrics
5 The Return Of Jackie And Judy  3:14 view lyrics
6 Let's Go  2:37 view lyrics
7 Baby,I Love You  3:51 view lyrics
8 I Can't Make It On Time  2:33 no lyrics yet - submit it
9 This Ain't Havana  2:20 view lyrics
10 Rock 'N' Roll High School  2:21 view lyrics
11 All The Way  2:30 view lyrics
12 High Risk Insurance  2:15 view lyrics

Reviews:

This is the one you've all been waiting for

This, of course, is the controversial Ramones album that was produced by Phil Spector. Some people love it and some people hate it. Personally, I fall somewhere in the middle. It's a good album, but it's inferior to all the Ramones' previous albums. Spector's "magic touch" certainly gave the Ramones a more "sophisticated" sound, but it's debatable whether or not the Ramones needed to sound more sophisticated. Some songs definitely benefited from Spector's production flourishes, like "Do You Remember Rock 'N' Roll Radio?" and "Danny Says". And some songs probably would have sounded better if Spector had just left them alone, like "I'm Affected" and "All the Way". (Demo versions of all those songs are on the CD, for comparison's sake.) The single most controversial song on the CD is "Baby, I Love You". This cover version of the Ronettes hit is not the least bit punk, which is why many people hate it. It feature Joey singing to the full Spector "Wall of Sound", with nary another Ramone in sight. Ironically, "Baby, I Love You" went on to become the Ramones' biggest hit in the UK. It is actually pretty good, if taken on it's own terms. Which can also be said for the whole album in general. The CD has one unlisted bonus track, which is Joey doing a radio spot for the album.

Too Tough To Die

I like Paul McCartney. I'm still mourning the death of my guitar hero, Johnny Ramone. And, despite both of them, I'm glad Phil Spector produced "Let It Be" and "End of the Century."



"End of the Century" was the first Ramones album I bought, and it's the one I go back to most, time and again. Sure, the pairing of the First Family of Punk and the Wall of Sound producer seemed incongruous, but not really: They have a common bloodline, namely, girl group tunes from the early 1960s.



"Do You Remember Rock & Roll Radio?" is their tribute to those days gone by, to the two-and-a-half minute rock-and-rock 45 r.p.m. AM radio hits. Then, in the late '60s and 1970s, rock operas and cheesy album rock FM stations took over, bulldozing those erstwhile catchy tunes. This song is therefore my favorite Ramones anthem: A reactionary and revolutionary call to arms to take back radio from the forces of excessive and pretentious concept rock bands. To those who think Phil Spector burdened the Ramones with "over-production," I suggest they re-listen to the logical end of the "progressive rock" movement: Styx, Kansas, Boston and Journey (bands I otherwise like, but admit it, they were a bit much). Compared to them, the Ramones (even on this CD) come off as a stripped-down mechanized infantry unit.



"The Return of Jackie and Judy." Am I the only one who likes it better than the original which spawned it, "Judy is a Punk"? Maybe, maybe not, but this is one of their best, and is the only song I know that plays like a male version of "My Boyfriend's Back," in which boy crooner Joey waxes about his juvenile delinquent girlfriends.



"Rock & Roll High School." So what if it's "Rockaway Beach" with new lyrics and some chord changes? It works.



"Chinese Rock" is a great song, even if it's about drugs. Marky's drum riffs bring the Beach Boys' "Wipeout" to mind.



It is hard to believe that Joey, Dee Dee and Johnny are no longer with us. May they rest in peace, and may Johnny and Joey have made up and ended their brotherly feud.



But, there is solace, Ramoniacs: Put this CD in your player, and they are suddenly very much alive.

Was it something in the water?

I am one of the folks who thinks that the Ramones were just never the same after "Road to Ruin"...this album is just not that good. The Ramones are about hard-driving punk, not pop music. "Too Tough To Die" and "Animal Boy" were returns to their hard-driving form in the early- to mid-80's, but by then the Ramones had lost their edge, and never recovered it.



What was it about all of the rockers who started putting out weaker-sounding albums around 1980 and never recovered? Ted Nugent, Foghat, Blackfoot, Pat Travers...the list goes on and on. Those performers put out some incredible hard rock in the 1977-1981 time frame, and then for whatever reasons released wimpy-sounding albums that caused their popularity to nosedive, and they never recovered.



While the Ramones' popularity actually increased (maybe because of their legendary status, instead of the albums they continued to release) down the road, they, too, never recovered the magic of their first four albums. "End Of The Century" might be a great album to some people, but if you love their first four albums, you might not like this one.