Definitely a shot at commercial success

There's no question that when Ritchie Blackmore replaced Graham Bonnett with Joe Lynn Turner that Ritchie was seeking the breakthrough success in the U.S. market that had been eluding him. While the earliest Dio-era Rainbow albums were definitely hard rock and the one Bonnett-sung disc showed more commercial tendencies, this first Turner disc shows definite radio-friendly touches (dare one call it "pop-rock"?)

With that said, one thing that has always impressed me about Blackmore is his ability to craft great parts for the songs he plays on. While Ritchie isn't normally thought of as a great rhythm guitarist, his rhythm parts usually fit very nicely. And his solos? Well, Ritchie is definitely one of the best soloists in rock. Even if he only gets 8 bars for a solo, he'll make a memorable statement.

While a lot of knocks are made against this record for its pop leanings, some people seem to forget the two instrumentals contained on DTC. First is "Vielleicht Das Nachter Zeit" which is a superb piece featuring some great slide playing (for which Ritchie doesn't get enough credit). The melodies so perfectly fit the mood of the piece, given the title. When I first started playing guitar, I thought that this piece really demonstrated what "speaking through a guitar" really meant. The second instrumental is a take on Beethoven's 9th symphony called, "Difficult to Cure". It's really a great instrumental and would be a long-time feature of Rainbow's live shows. In fact, a version recorded with the Tokyo symphony appears on "Finyl Vinyl".

In all, it's a poppier Rainbow but Ritchie still shines. There's a lesson there, I believe.

it is so sad! i like it!

I absolutely adored this album when I was a teenager and now, at the ripe age of 35, I still like it, though not as much. I think that I may have listened to it a few many times...or maybe I see the silliness behind some of the songs now.
Anyhow, Rainbow's first album with singer JOE LYNN TURNER is still one of their best albums. Rainbow delved back into progressive hard rock on this, especially on cuts like "Maybe Next Time" and the title track.
" I Surrender" gets the album off to a very powerful and upbeat
and slightly poppy start. It's their second cover of a RUSS BALLARD song( artists like RAINBOW, SANTANA and AMERICA all had hitswith RUSS BALLARD songs, tho RUSS himself never did.) I think JOELYNN TURNER sounds terrific on this song and on the entire album!
Nice sad, emotional guitar playing by BLACKMORE on this track.
"Spotlight Kid" is probably my favorite song here! It's a fast paced, heavy metal song with some great lyrics and an amazing instrumental section; BLACKMORE's guitar solo is superb and I really love that little irish jig part( or russian jig, i dunno, george!) Very emotional vocal from TURNER!
"No Release" is a slightly soulful/bluesy hard rock song> I like it!
"Magic" is a progressive pop song, with a very melodic guitar line, which Turner sings along with.
"Maybe Next Time" has BLACKMORE'S saddest ever guitar playing on it; the song is melodic, pretty and depresssing at the same time. BLACKMORE makes his guitar gently weep on this and it will make YOU weep if you don't watch out!
"Cant Happen Here" starts out with a little rock-n-roll guitar lick from BLACKMORE, then the rest of the band joins in and the song turns into another emotional, but heavy prog rock song. This song has another outstanding vocal from TURNER, as does the next track, " Freedom Fighters", which is another highlight ofthis album. "Freedom" is another fast paced hard rocker, with some very intelligent lyrics. I'm not a big fan of the last two songs, "MIDTOWN TUNNEL VISION" and "DIFFICULT TO CURE". I know alot of people think very highly of this last track, but I always found it rather pretenscious( did I spell that word right?)
Other than the last two songs, this is a great progressive hard rock album. I also think RITCHIE BLACKMORE hit his peak as a songwriter AND a guitarist on this. After this album, BLACKMORE seemed to keep borrowing riffs amd licks from earlier DEEP PURPLE and RAINBOW songs. He also began to overplay as a soloist after this, at least on the next two RAINBOW albums and the DEEP PURPLE album PERFECT STRANGERS. Many fine songs were still to come, though not THAT many; indeed, my favorite song off the nexttwo RAINBOW albums, SNOWMAN, wasn't even written by BLACKMORE.
I hated RAINBOW'S next album, the very commercial STRAIGHT BETWEEN THE EYES, but DIFFICULT TO CURE is a great album!

Rainbow got radio friendly

When Joe Lynn Turned came onboard, Rainbow's approach really changed into a lighter and more commercial hard rock style (even `tho the previous "Down to earth" sure had some light moments). "Difficult to cure" is a very good album even `tho I prefer the Ronnie James Dio-era, and it's absolutely better than the following "Straight between the eyes". On this album you get to hear the amazing "Spotlight kid" (just listen to the excellent solo part), the radio friendly tracks "I surrender", "No magic", "Freedom fighter" and "Can't happen here". You are also in for some classical music, since the band is doing a cover (?) of Beethoven's nine symphony. All aspects included, this is a solid rock effort worth having!

RAINBOW-DIFFICULT TO CURE[JAP.IMPORT]

Rainbow roared into 1981 with this mostly superb album.It kicks off with the hit,i surrender,which sets the pace for the rest of the album,while track number 2,spotlight kid,has to be rainbows finest five minutes,and was used as a set opener from 1981 to 84.The only track i think lets the side down is the lyrically banal freedom fighter,but as a final reward you get Blackmores reworking of Beethovens ninth,which is simply majestic. I always thought rainbows studio recordings after this were a bit hit and miss,and thhis is definately their best 80s album. The sound quality on this import is just amazing,i had to keep looking over my shoulder,to check the band was'nt there! Freedom fighter aside,this is a excellent album,and a must for any rock fan.