iTunes 10 New Releases
Looking 4 Myself (Deluxe Version) - Usher
Looking 4 Myself (Deluxe Version) by Usher
Bear Creek - Brandi Carlile
Bear Creek by Brandi Carlile
Phillip Phillips: Journey to the Finale - Phillip Phillips
Phillip Phillips: Journey to the Finale by Phillip Phillips
American Idol - Season Finale - Season 11 - EP - Various Artists
American Idol - Season Finale - Season 11 - EP by Various Artists
Like That - Single - T.I.
Like That - Single by T.I.
In My Life (Glee Cast Version) - Single - Glee Cast
In My Life (Glee Cast Version) - Single by Glee Cast
Like That - Single - T.I.
Like That - Single by T.I.
Bring Me Home - Live 2011 - Sade
Bring Me Home - Live 2011 by Sade
Apocalyptic Love (Deluxe) [feat. Myles Kennedy & The Conspirators] - Slash
Apocalyptic Love (Deluxe) [feat. Myles Kennedy & The Conspirators] by Slash
Sprawl II & Ready to Start (Remixed By Damian Taylor & Arcade Fire) - Single - Arcade Fire
Sprawl II & Ready to Start (Remixed By Damian Taylor & Arcade Fire) - Single by Arcade Fire
| Disc 1 | |||
|---|---|---|---|
| 1 | Causing A Commotion (Silv | 4:53 | |
| 4 | Jimmy, Jimmy | 3:56 | |
Causing A Commotion begins with that typical synthesiser beat that dominates almost all of Madonna's 1980's songs. The song has a short introduction, before Madonna breaks out with the infectious first line; the chorus of, "I've got the moves baby, you got the motion, if we got together we'd be causing a commotion." She then begins her first verse with the lines, "You met your match when you met me, I know that you will disagree. It's crazy, but opposites attract you see. And I won't let you get away so easy." From these first few lines we can get a clear picture of what the song is all about - Madonna is desperate for a guy she likes to see sense (in her eyes) and get it together with her, saying along the way that they'd be "causing a commotion" in her lines of persuasion. The beat is prominent in the song, and adds to that fantastic dance rhythm which has gone on to form some amazing remixes (check the remixes on this actual CD single). Madonna then goes on to sing her second chorus, a second verse, a couple of bridges and more choruses. The song has a very fast paced feel to it, and this feeling of confusion (not knowing what's coming next) adds to the thrill of this monster hit.
The 'video' to Causing A Commotion is rather dumb. We don't get a proper video, but are instead subjected to a performance of the song from Madonna's 1987 Who's That Girl World Tour. The performance is rather good and Madonna sings totally live and dances her head off to easily please the mass crowd of thousands. Even though the song was a big hit, I still think we could have done with a proper video, as this would probably have made the song an even bigger success. Despite this, Causing A Commotion was definitely a highlight amongst Madonna's mid-80's popularity peak and is a welcome addition to your Madonna collection.
The "Silver Screen Mix" is a nice extended and remixed version of the soundtrack album cut. However, it is not just an extended version of the "Silver Screen Single Mix," so it is important to get both long and short mixes (the short edit is available on "The Holiday Collection"- and nowhere else, I think). The dub version is, well, a dub version of the "Silver Screen Mix." Very enjoyable, even as dub versions go.
The true gem of this single is Shep's "Movie House Mix." I thought "Movie House" was just a general theater name for the mix, a la "Silver Screen Mix." It wasn't until I heard the track that I realized it's a movie HOUSE mix- one of the first house mixes of its kind. This mix does not feel like the nine-minute-plus mix that it is, it never gets boring or repetitive, unlike the current remixes out there (like anyone wants a fifteen minute trance mix of "I'm So Stupid" for example). This mix alone is worth the price of admission.
The last track is the LP version of "Jimmy Jimmy." This is identical to the version on "True Blue," but it's nice to also have it here.
Overall, this is not a cheesy 80's mix, but a harbinger of the great things to come for Madonna's music, and the world of dance music in general.