Wxwllwnt cd of all his essential r'n'b sides

This is teh r'n'b side of Little Richard. Great boogie woogie piano, walin' sax section, and soulfully swingin' vocals. ESSENTIAL.

A wop bop-a-lu bop, a wop bam boom!

Prince and Sir Paul McCartney are two of my favourite artists of all time. What both have in common is one of their influences--a certain Richard Penniman, best known as Little Richard. Think about it: Prince's stylish clothes, razor-thin mustache, and curled hair during his Controversy through Purple Rain period are reminiscent to his illustrious predecessor, and Sir Paul's screams and high-pitched rocking voice were taken from Little Richard. Here are some highlights from the 25, count'em, 25, cuts on this greatest hits collection.

"Tutti Frutti," his earliest released on 14 September 1955, is by far my favourite song here, particularly with the "A wop bop-a-lu bop, a whop bam boom!" line. This song was considered risque so Pat Boone redid it. The lines where he talks about Daisy who drives him crazy, was changed from "boy don't you know what she do to me" to "pretty Little Susie is the girl for me." Lame! However, even before it was written, Richard edited out this line: "Tutti frutti good booty, if it don't fit don't force it." Well, darnit!

Four songs here were covered by the Beatles. "Kansas City/Hey Hey Hey Hey", which is on their For Sale album is one. Little Richard's highest charting hit, "Long Tall Sally" was outdone by the Beatles as a tribute to one of their influences, but the original still rocks out. Heart's cover of this also shows a nod to Mr. Penniman. "Ooh My Soul" was one of his latter hits which made it to the Top 40. And "Lucille" demonstrates Little Richard's sheer vocal power. Whew!

And the three songs that he did for The Girl Can't Help It movie are included. The title track describes a girl who's so hot "bread slices turn to toast" and "makes Grandpa feels like he's 21", and it fit Jayne Mansfield, the female star of The Girl Who Can't Help It." Yes, he does that trademark raucous yell of his. "Ready Teddy" and "She's Got It" have similar rhythms so that apart from the lyrics, they're indistinguishable. Man, that 50's rock sound is really fresh, and he can be seen performing those songs in the movie. Sadly, none of these songs reached the Top Ten in the singles chart, although in order of mention, they reached #7, #8, and #9 on the R&B charts.

"Miss Ann" has a slowed down piano blues style like Fats Domino. The title refers to a black code-name for white female employees. Another song, a slower ballad, is "Send Me Some Lovin'." His voiec is similar to Ben E. King here, except with more power.

Little Richard also did cover songs. His take on "Whole Lotta Shakin' Goin' On" rivals Jerry Lee Lewis's version, and the raucous "Keep A Knockin'", is a tune Louis Jordan did back in 1939. I get a kick out of that "you keep a knockin but you can't come in" refrain, and those sax solos.

Other times, though, there are times Richard's songs make the line between influence and plagiarism fuzzy. "Slippin' In Slidin'" was influenced by songs by Eddie Bo and Al Collins.

The bonus tracks here are B-sides of some of the singles, such as "I'm Just A Lonely Guy" being the flip-side of "Tutti Frutti."

In looking at the chart positions listed on the cover, I notice how he did better on Billboard's R&B charts. For example, "Rip It Up", "Lucille", and "Long Tall Sally" went to #1, with "Tutti Frutti", "Slippin' and Slidin'", and "Jenny Jenny" hit #2. They never did as good on the Hot 100 Singles chart, or if they reached the Top Ten, never higher than the position reached on the R&B chart.

One of the legendary fathers of R&B/rock and roll whose contributions to the genre were overshadowed by white racism prevalent in the 1950's and by artists such as Bill Haley, Elvis, and Pat Boone.

Good Golly! This is the REAL King of Rock & Roll!

One of the pioneers of Vintage Rock & Roll Music, Little Richard was immediately crowned the "King" of the new movement. Initially feared as the evil force bringing America's "respectable" middle class teenagers to ruin, the film "The Girl Can't Help It" (1956) eventually made Little Richard a household name, while his records flew off the store shelves.

This CD of greatest hits includes every well-know Little Richard title. My personal favorite is the title song from the film mentioned above. The orignal B-side "Send Me Some Lovin'" is another song I've enjoyed since early childhood. Of course "Tutti Frutti", "Good Golly Miss Molly" and "Long Tall Sally" are included as well. A serious collection of Little Richard's hits (like this one) must feature "Keep On Knockin' - (But Ya Can't Come In!)".

The musical genius of Little Richard (Penniman), like that of so many other African American performers of his day, was shamefully exploited. For a mere $600.00 Little Richard's "contract" was bought out by an oportunist record label executive who not until decades later paid the star at least a small part of the millions he had rightfully earned. How many of the "Doo-Wop" Era harmonists were handed "allowances", while executives pocketed millions.

All of the "dark trivia" aside, this is a fantastic sampling of true vintage Rock & Roll music by one of it's foremost members, the Hall of Famer, Little Richard. A five star CD*****