My Father's Face
click the image to get it in cd-cover size
| Release Date: |
November 30, 1988 |
| Label: |
Private Music |
| Rating: |
5.0 |
Description: Guitar virtuoso Leo Kottke has never been a fan of his own singing, observing once that it resembles "geese farts on a foggy day." Be that as it may, his voice (both vocally and lyrically) is an essential element of his persona, one he's too-often neglected. This cogent 1989 collection balances the Minnesotan's trademark knuckle-busting 12-string exhibitions ("William Powell," "Theme from 'The Rick and Bob Show'") with memorable lyric-based songs. The latter are what make
My Father's Face such an appealing album. Kottke bares his grim northern soul on "Everybody Lies" ("I don't remember what it was like to go back home/I only know it was cold and white and I was alone"), while "Why Can't You Fix My Car?" and "Jack Gets Up" are sardonic statements on the quietly desperate lifestyle. Producer T Bone Burnett's select sidemen (David Hidalgo, Michael Blair, Edgar Meyer), meanwhile, are unfailingly restrained and tasteful. In the end, you're left with a fuller sense of Kottke. He's smart, funny, a bit gloomy ... and, yeah, he plays a mean guitar, too.
--Steven Stolder
Tracklist of My Father's Face
Reviews:
Acoustic guitar pinnacle
I'll start out by saying I am a devoted Kottke fan, but if given the unfortunate task of selecting only one album from this seminal master, I would prolly select this one. My enduring favorite is 'Aunt Francis'... this tune will grow on you given a few listens....If not, listen again!
Creative guitar-work at its best
Here's Kottke's finest work - and definitely one to start with if you're new to him.
His rich compositions here encompass solo guitar (tracks 3, 5, 6, 7, 9) and songs (2, 4, 8, 10) which he sings with his own guitar accompaniment and backing musicians. Tracks 1 and 11 feature just his guitar and the musicians.
Every track is simply first class.
His playing is cleaner than before (following a period of revising his technique) but retains his distinctive energy and attack (`Times Twelve') and the CD illustrates his quirky innovation - `Twelve' features guitar and timpani drum!
The `Theme From The Rick and Bob Report' is melodic and beautifully optimistic; `William Powell' an absorbing, deft tune; `My Aunt Francis' and `B.J.' are complex pieces - `B.J.' being rounded off with a subtle, perfectly executed ending. `Mona Ray' is a superior rendition of an earlier recording - light, nimble, understated.
`Why Can't You Fix My Car?' and `Jack Gets Up' reflect his lightly cynical, teasing wit. `Back in Buffalo' has a superb melody hidden under his twisting, shuffling, discordant guitar work.
Kottke's famous self-effacement about his vocals is nonsense - his singing on `Every Body Lies' is exceptional - the song also demonstrates how sadly underrated he is as a songwriter/lyricist.
What do you get when you mix American folk and blues, throw in little tinges of jazz, country and pop, add truly original, exceptional steel strung acoustic guitar playing, dazzling technique, great singing, novel compositions, sharp lyrics, plus unconventional, happy wit? -
- why Leo Kottke of course.
Fabulous song
I've been a Leo Kottke fan for thirty years but this album may be the best ever, simply on the strength of "Mona Ray," the most exquisite song I've heard him do...this is "Echoing Gilewitz" with the mystery but not the sadness. What a treat...