Ah - Yeah!

This is the teacher's self-titled album contains more lessons, and upliftment for African-Americans. DJ Premier's production on "Rappaz R. N. Dainja" and "MC's Act Like They Don't Know" was are great East Coast hip-hop feel displaying Krs' lyricisim. "Ah-Yeah" displays his consciousness of scociety's problems. As automatic as his flow on "De Automatic" featuring Fat Joe. "...stack some money for a video, I don't have any. You're looking at the last emcee with true talent..." he put it into perspective with "Build Ya Skillz". This release is a presentation of plain hip-hop. Nothing commercial just "R.E.A.L.I.T.Y." through the eyes of Bronx own Krs-One.

Arguably his strongest solo album

For his second solo album, KRS-One worked with a variety of younger hip-hop talents, perhaps in an attempt to resuscitate his street credibility and his commercial standing. Featuring appearances by Das EFX, Mad Lion, Fat Joe, and Channel Live, KRS-One is loaded with fresh talent of the first-rank and they help spark the Teacher into giving an inspired performance. The album also showcases a bit fuller production than Return of the Boom Bap, but that doesn't mean he has sold it out -- it just means he's continuing to experiment, which is one of the reasons KRS-One remained a vital artist nearly a decade after his first record.

The Definitive KRS

The best album he's done in my opinion, infact, he really began to get soft shortly after this.