iTunes 10 New Releases
Looking 4 Myself (Deluxe Version) - Usher
Looking 4 Myself (Deluxe Version) by Usher
Bear Creek - Brandi Carlile
Bear Creek by Brandi Carlile
Phillip Phillips: Journey to the Finale - Phillip Phillips
Phillip Phillips: Journey to the Finale by Phillip Phillips
American Idol - Season Finale - Season 11 - EP - Various Artists
American Idol - Season Finale - Season 11 - EP by Various Artists
Like That - Single - T.I.
Like That - Single by T.I.
In My Life (Glee Cast Version) - Single - Glee Cast
In My Life (Glee Cast Version) - Single by Glee Cast
Like That - Single - T.I.
Like That - Single by T.I.
Bring Me Home - Live 2011 - Sade
Bring Me Home - Live 2011 by Sade
Apocalyptic Love (Deluxe) [feat. Myles Kennedy & The Conspirators] - Slash
Apocalyptic Love (Deluxe) [feat. Myles Kennedy & The Conspirators] by Slash
Sprawl II & Ready to Start (Remixed By Damian Taylor & Arcade Fire) - Single - Arcade Fire
Sprawl II & Ready to Start (Remixed By Damian Taylor & Arcade Fire) - Single by Arcade Fire
| Disc 1 | |||
|---|---|---|---|
| 1 | Wild Child | 4:30 | |
| 2 | Fallen from Grace | 4:07 | |
| 3 | Call of the Wild | 4:06 | |
| 4 | How Can I Refuse | 3:53 | |
| 5 | Shell Shock | 3:42 | |
| 6 | Love Alive | 4:16 | |
| 7 | Under the Sky | 2:53 | |
| 8 | Night | 4:53 | |
| 9 | Tall, Dark Handsome Stranger | 4:04 | |
| 10 | If Looks Could Kill | 3:41 | |
| 11 | Who Will You Run To | 4:05 | |
| 12 | You're the Voice | 5:59 | |
| 13 | Way Back Machine | ||
| 14 | Barracuda | 4:23 | |
I was at this concert (admittedly only for opener Cheap Trick), and only bought the CD for the "I was there" bit, not for the music. The Centrum in Worcester, MA was an odd choice for a live recording - a half-full arena with terrible acoustics in a dead, third-tier industrial city. (Why the band didn't choose the sold-out Forum show in Los Angeles is beyond me.)
The music? Nothing special. If you're a fan from the 1970s (i.e. you think that the band sold out after 1980), then there's little of interest here. If you're a fan of Heart's top ten era, well...same answer. No wonder it didn't sell. Even two new songs (You're The Voice and Way Back Machine) can't save this mess.
My only guess is that Capitol only put this out because after three consecutive top-five, multi-platinum albums, they figured anything with the Heart name would sell a boatload of CDs. Wrong again. The worst part of all of this (for me, anyway) was the screaming Mimi I sat next to at the concert, who was determined to screech at the most inappropriate moments - which mercifully didn't end up on the CD. Not that I listen to it often...
Rock The House Live! is recommended only for Heart fans who must have everything and for those who were there that night.
The two Heart selections are the heaviest ones from that album--"If Looks Could Kill" and "Shell Shock." If they'd included "The Wolf" and "All Eyes", the house would probably be rocked beyond tolerance. "Shell Shock" gets its rightful due live, but the speeded up heavy guitars in fact this version of "If Looks Could Kill" really outstrips its studio counterpart.
For a breather, they perform one of their favorite songs from Little Queen, "Love Alive" which becomes a powerhouse with Denny Carmassi's drum power. They keep the acoustic guitars for "Under The Sky", a new favourite of theirs and mine, with the dreamy feeling of "lying on your back, looking at the stars" as Ann says in introducing the song.
I described "The Night" with its heavily punctuated power chords. Well, the only way it could be outdone was it to have been done live. With the beginning power chords from Zeppelin's "Good Times Bad Times" introduced, followed by bluesy guitar solo, the song proper begins, and yes, those power chords are pounded.
There isn't too much variation in the Bon Jovi-like "Tall Dark Handsome Stranger" or "Call Of The Wild" from Brigade or "Who Will You Run To" from Bad Animals. These are the few weak moments in this album.
"How Can I Refuse," from Passionworks is really given the rocking treatment with the chugging guitar intro. Given the unjustified roasting Passionworks got from the critics, it's at least gratifying to see at least one of its songs represented live.
The new song "You're The Voice" is a power ballad whose guitarwork gives it a Brigade-era sound. The importance of making a difference is the theme here, with peaceful overtones: "We're all someone's daughter/We're all someone's son/How long can we look at each other/Down the barrel of a gun?"
Howard Leese's guitar solo, "The Way Back Machine," serves as a prelude to the ferociously done "Barracuda" which makes it more a shark than a Barracuda. The best track here.
The song selection here clearly favours the Brigade album, but whether or not one liked Brigade, this live album proves that Heart can still rock and roll and live treatments of studio tracks that were heavy before give them a major rousing makeover. My only question was, after this song, was there a lake or somewhere they the audience could cool off? Great live album, despite its weak spots.