iTunes 10 New Releases
Looking 4 Myself (Deluxe Version) - Usher
Looking 4 Myself (Deluxe Version) by Usher
Bear Creek - Brandi Carlile
Bear Creek by Brandi Carlile
Phillip Phillips: Journey to the Finale - Phillip Phillips
Phillip Phillips: Journey to the Finale by Phillip Phillips
American Idol - Season Finale - Season 11 - EP - Various Artists
American Idol - Season Finale - Season 11 - EP by Various Artists
Like That - Single - T.I.
Like That - Single by T.I.
In My Life (Glee Cast Version) - Single - Glee Cast
In My Life (Glee Cast Version) - Single by Glee Cast
Like That - Single - T.I.
Like That - Single by T.I.
Bring Me Home - Live 2011 - Sade
Bring Me Home - Live 2011 by Sade
Apocalyptic Love (Deluxe) [feat. Myles Kennedy & The Conspirators] - Slash
Apocalyptic Love (Deluxe) [feat. Myles Kennedy & The Conspirators] by Slash
Sprawl II & Ready to Start (Remixed By Damian Taylor & Arcade Fire) - Single - Arcade Fire
Sprawl II & Ready to Start (Remixed By Damian Taylor & Arcade Fire) - Single by Arcade Fire
| Disc 1 | |||
|---|---|---|---|
| 1 | That's Life | 3:08 | |
| 2 | I Will Wait For You | 2:19 | |
| 3 | Somewhere My Love (Lara's Theme) | 2:17 | |
| 4 | Sand And Sea | 2:29 | |
| 5 | What Now My Love? | 2:31 | |
| 6 | Winchester Cathedral | 2:38 | |
| 7 | Give Her Love | 2:14 | |
| 8 | Tell Her (You Love Her Each Day) | 2:43 | |
| 9 | The Impossible Dream | 2:34 | |
| 10 | You're Gonna Hear From Me | 2:57 | |
As for the music--the songs and arrangements--it's mostly abominable, leagues beneath the abilities of the Master Storyteller. "Sand and Sea," "Winchester Cathedral," Give Her Love," and "Tell Her" are made up of the reductive, repetitious melodies and empty-headed lyrics that call for a Jerry Vale or Engelbert Humperdinck. The novel (and welcome) swing treatment of "Somewhere My Love" might have worked had the orchestrator (Ernie Freeman) not liberally loaded it up with so much schmaltzy clutter.
On the other hand, there are at least four good tunes which, like the others on the album, were frequently played on juke boxes and in juke joints during the mid '60's. And after the adolescent chanting of the Fab 4, the tame tooting of Herb Alpert, the froth of the 5th Dimension, and those screaming mimi's Janis and Jimmy, the identifiably, reassuringly human sound of Sinatra's voice was frequently the only sane and honest thing cutting through the psychedelic miasma.
Salt this one away as an improbable, even partially successful, record of Sinatra's return to pop culture during the age of Aquarius--in fact, I suspect the Chairman himself was supplying the salt.
This record is absolutely dreadful. It features Ol' Blue Eyes' worst ever arranger, Ernie Freeman, who was responsible for taking the aging Sinatra into the realm of middle-of-the-road pop. If you dislike "Strangers In The Night" (I know I do), then you'll get just the same kind of garbage with this record.
This is a hardcore fan speaking here... I wouldn't speak evil of that record if there was any redeeming feature to it, only I can see none! So stick to the 1954-1964 Sinatra, and you'll never go wrong. After that, it takes a little listening before you buy the stuff. Albums arranged by Nelson Riddle, Billy May, Gordon Jenkins or Neal Hefti are keepers... As for the ones by Don Costa and Ernie Freeman, well, you can't say you haven't been warned!