iTunes 10 New Releases
MDNA (Deluxe Edition) - Madonna
MDNA (Deluxe Edition) by Madonna
Lively Up Yourself - Bob Marley
Lively Up Yourself by Bob Marley
The Fray - The Collection - The Fray
The Fray - The Collection by The Fray
A Different Kind of Truth - Van Halen
A Different Kind of Truth by Van Halen
Scars & Stories - The Fray
Scars & Stories by The Fray
Don't Wanna Lose You (Glee Cast Version) - Single - Glee Cast
Don't Wanna Lose You (Glee Cast Version) - Single by Glee Cast
Scars & Stories (Deluxe Version) - The Fray
Scars & Stories (Deluxe Version) by The Fray
NOW That's What I Call Music Vol. 41 - Various Artists
NOW That's What I Call Music Vol. 41 by Various Artists
Bamboleo / Hero (Glee Cast Version) - Single - Glee Cast
Bamboleo / Hero (Glee Cast Version) - Single by Glee Cast
A Different Kind of Truth (Deluxe Version) - Van Halen
A Different Kind of Truth (Deluxe Version) by Van Halen
Hardworking, journeyman British guitarist Mick Jones and American vocalist Lou Gramm hit upon a formula for success and proceeded to churn out hit after hit. The precedent for the group's sound had been set previously by such British blues/rock bands as Led Zeppelin and Free. Simple, riff-oriented melodies sung with gruff sincerity and swagger (suggestive of the great American black soul singers), matched up with a sledgehammer rock beat and short, to-the-point, electric guitar solos, were just what teens from that period wanted to hear. Fellow British cohorts Bad Company also were mining the same vein (although with less success): sexy love songs sung with some grit, merging British pop sensibilities with a hint of black sensuality. Of course, the plodding predictability of these songs became their downfall, too, as Foreigner were one of several hit machines from that period tagged as "corporate rock," which helped foster the punk and New Wave "revolutions."
Although it's easy in hindsight to deride groups like Foreigner, it's crucial to judge them on their own terms. Mick Jones just wanted "to fuse an attention to melody with some hefty rock stuff, hoping it would stand up next to a Zeppelin or Traffic or a Free record and hold its own. That's the standard I have to reach." From that standpoint, they succeeded and more, as their lifelong fans undoubtedly would agree. --Wally Shoup
First of all, the pros. THIS IS THE MOST COMPLETE FOREIGNER COMPILATION OUT THERE, PERIOD. Headknocker, Starrider, and At War With The World, three of my favorite Foreigner songs that were never hits, CAN BE FOUND HERE! Every one of the band's big hits can be found here (Feels Like The First Time, Cold As Ice, Long Long Way From Home, Double Vision, Blue Morning Blue Day, Hot Blooded, Dirty White Boy, Head Games, Urgent, Juke Box Hero, Waiting For A Girl Like You, and I Want To Know What Love Is.) All these hits are in original release order. If you're a casual fan and you want more than single disc compilations offer, but don't want to get all of the band's albums, this probably won't fail to please.
Sadly, this anthology ain't perfect. The title is somewhat deceiving. It's called the FOREIGNER anthology, and yet we get some Lou Gramm solo tracks and some Spooky Tooth (the band Mick Jones was in previously) tracks. These aren't bad songs, but they don't belong in a Foreigner anthology. Likewise, there is WAY TOO MUCH emphasis on the band's post-4 material. Foreigner, like Chicago, had become somewhat of a "predictable ballad machine" by the tame the eighties rolled around. But the biggest flaw of all? MANY TRACKS ARE EDITS! Why not just ditch the Spooky Tooth and Lou Gramm solo tracks and put on the full-length versions? Is that so much to ask?
This is a good anthology overall, but if you're a casual fan and nothing more, the single-disc Complete Greatest Hits compilation will probably be enough. But if it isn't, shell out the extra cash for this, and you probably won't regret it.