powerful good

Until buying this CD I rated Live in San Francisco as easily her best but this, Praise the Lord!!, is a total mindf*#k. This is righteous powerful stuff: funk in overdrive--turbocharged blues--funkified rock!!

The sound alone grabs you and slams you against your living room feature wall if you play it loud which I believe you must. It's clean and strong and goes right through you. (Even on my little superzeros which aren't supposed to have any bass response - so where did all that incredibly powerful tight bass come from ??) It sounds liver than a "live" album.

Etta puts all of her personality into each song expressing more power and authority than I've ever heard from her. Fantastic!

The Voice Done Gone

It's time for Etta to hang it up. Period.

This CD is painfully embarassing. The voice done gone.

I had looked forward to hearing the several notable covers, but Etta doesn't appear to have looked forward to singing them. Most are marked by minimal effort. Uncreative, uninvolved, uninspired ... Etta uncharacteristically limps through the tunes, as if someone off-mike was forcing her through them.

I consider this purchase a complete waste of money, and listening to it an equally complete waste of time.

You gotta respect somebody

For the people who ... their only perception of singers are teenage girls with lollipops hanging out their mouth,overweight and 63-years old Etta James must seems like insult.For us who are real believers in good music,her return to blues (after several surprisingly uninspired albums of jazz covers) is a welcome change and hope that she would follow her intuition next time around.From the first few seconds is audible that her heart is in blues and she is in total control of wide range of emotions on the album,spreading them around like a magiacian.While Aretha half-heartedly grooves with new R&B sound,Etta is doing what she is doing best and makes this old songs sounds like new.How many 63-year old singers can you name,who will turn Rolling Stones disco into slow,sexy blues or squeeze gentle bossa nova "Let's straighten this out" between gospel Dylan and rocking John Fogerty,sing heartbreaking blues "You're Gonna Make Me Cry" or cover of Al Green song AND end it all with a joyful,happy "Hound Dog" in which she is actually barking (you can imagine her in studio!)? Not just because of her famous past,but because her present is so decidedly uncompromising,I love and respect Etta James.(Please stop this "diva" thing - its overused expression,reserved for a every new big-haired top-charter and the word does not describe Etta James who is recording since 1955.)