iTunes 10 New Releases
Looking 4 Myself (Deluxe Version) - Usher
Looking 4 Myself (Deluxe Version) by Usher
Bear Creek - Brandi Carlile
Bear Creek by Brandi Carlile
Phillip Phillips: Journey to the Finale - Phillip Phillips
Phillip Phillips: Journey to the Finale by Phillip Phillips
American Idol - Season Finale - Season 11 - EP - Various Artists
American Idol - Season Finale - Season 11 - EP by Various Artists
Like That - Single - T.I.
Like That - Single by T.I.
In My Life (Glee Cast Version) - Single - Glee Cast
In My Life (Glee Cast Version) - Single by Glee Cast
Like That - Single - T.I.
Like That - Single by T.I.
Bring Me Home - Live 2011 - Sade
Bring Me Home - Live 2011 by Sade
Apocalyptic Love (Deluxe) [feat. Myles Kennedy & The Conspirators] - Slash
Apocalyptic Love (Deluxe) [feat. Myles Kennedy & The Conspirators] by Slash
Sprawl II & Ready to Start (Remixed By Damian Taylor & Arcade Fire) - Single - Arcade Fire
Sprawl II & Ready to Start (Remixed By Damian Taylor & Arcade Fire) - Single by Arcade Fire
So we have quite a mixture of different kinds of Elvis music, for what came after he returned was far less edgy and different than it had been before. Now he seemed to stick much more closely to a formulaic kind of song, much more main stream in songs like "Stuck On You, "Good Luck Charm", and "Return To Sender". Which isn't to say they were not good or that we didn't like them. But a lot of what he recorded in the 1963-67 timeframe was a lot like what everyone else was doing, or had been doing, in pop music.
Yet there are some innovative and impressive songs here, such as "It's Now Or Never", which was almost operatic in its delivery. This was a side of Elvis we had never recognized in any of his previous work, and he showed exactly how good a voice he had to work with. So we have quite a range here, from the early work like "Good Rocking Tonight", "Baby, Let's Play House", "All Shook Up", and "Heartbreak Hotel", as well as some softer and more mainstream work like "She's Not You", "Devil In Disguise', and "Suspicious Minds". Anyone giving a good listen to the range on this CD can see just what kind of musical legs this guy had. Enjoy!
In the early 1950's, a new form of music was coming out of the black youth culture, later to be known as rock and roll. Artists like Little Richard and Chuck Berry(the real kings of rock and roll) pioneered the art form. Because it was created by and for blacks, it was immediately dismissed by white america as "the devil's music" and to be eradicated. The mid 50's ushered in a new(and repackaged) form of rock and roll; in other words, a " lighter" singer out of Memphis, Tennessee came out and was instantly hailed as the King. Yes, you guessed it, Elvis. The first and ultimate industry creation to do black music and become the automatic champion of the art deserves none(that's right, NONE!)of his god like status in this country or this world. Now why would you called him the king if he hasn't earned the crown? Was he the best songwriter? No!(The majority of his hits were written by Earl Robinson, a BLACK man); was he the best guitarist? No!(that goes to Jimi Hendrix, Eric Clapton or Stevie Ray Vaughn);was he the greatest preformer? Hell, no!(that goes to Michael Jackson; Elvis wasn't even the greatest of his era!) My point is that elvis is a phoney, and one day the world will realize that.