iTunes 10 New Releases
Looking 4 Myself (Deluxe Version) - Usher
Looking 4 Myself (Deluxe Version) by Usher
Bear Creek - Brandi Carlile
Bear Creek by Brandi Carlile
Phillip Phillips: Journey to the Finale - Phillip Phillips
Phillip Phillips: Journey to the Finale by Phillip Phillips
American Idol - Season Finale - Season 11 - EP - Various Artists
American Idol - Season Finale - Season 11 - EP by Various Artists
Like That - Single - T.I.
Like That - Single by T.I.
In My Life (Glee Cast Version) - Single - Glee Cast
In My Life (Glee Cast Version) - Single by Glee Cast
Like That - Single - T.I.
Like That - Single by T.I.
Bring Me Home - Live 2011 - Sade
Bring Me Home - Live 2011 by Sade
Apocalyptic Love (Deluxe) [feat. Myles Kennedy & The Conspirators] - Slash
Apocalyptic Love (Deluxe) [feat. Myles Kennedy & The Conspirators] by Slash
Sprawl II & Ready to Start (Remixed By Damian Taylor & Arcade Fire) - Single - Arcade Fire
Sprawl II & Ready to Start (Remixed By Damian Taylor & Arcade Fire) - Single by Arcade Fire
| Disc 1 | |||
|---|---|---|---|
| 1 | I Get a Kick Out of You | 6:20 | |
| 2 | Backwater Blues | 4:45 | |
| 3 | My Devotion | 3:08 | |
| 4 | Christopher Columbus | ||
| 5 | What a Diff'rence a Day Made | ||
| 6 | I've Got You Under My Skin | 5:23 | |
| 7 | I Wanna Be Loved | 2:45 | |
| 8 | Baby (You've Got What It Takes) | 2:45 | |
| 9 | Goodbye | 3:22 | |
| 10 | Lover, Come Back to Me | 9:55 | |
| 11 | Fat Daddy | ||
| 12 | Blue Gardenia | 5:18 | |
| 13 | Birth of the Blues/I Don't Hurt Any More | ||
| 14 | No More | 3:19 | |
| 15 | Blues Down Home | ||
| 16 | This Bitter Earth | 2:27 | |
| 17 | Cheat | ||
Washington had a rather limited range, but like Billie Holiday she carefully sculpted her voice to maximum effect--and her instrument is a knock-you-flat one, with many of her vocals relying on her ability to strike and hold a high, intensely voiced tone. But if Washington's vocal range was limited, her material was not: she is as at home with hard jazz and blues as she is with sleek orchestral arrangements and throw-away numbers, and this collection presents examples of it all: from the funky jazz of "I've Got You Under My Skin," in which she offers a completely unexpected interpretation of the Cole Porter classic, to the more orchestrial scored "Blue Gardenia," a personal favorite, these cuts are winners all the way.
If you've heard about Dinah Washington but never actually encountered her music, this compilation is a perfect place to start. But be forewarned: the lady's music is addictive, and once you begin to explore it you're likely to leap feet first into every available recording. For once, the title THE ESSENTIALS is dead-on accurate; strongly recommended.