Nightmare in the Music Hall

Recorded in 1966, this strange album displays Bowie's seeds of genius. The dark subject matter is presented in a type of music hall feel that is unconventional even now, three decades later. The wide variety of themes are often set to noteworthy tunes, whilst the inclusion of an early version of Space Oddity and the charming song The Laughing Gnome make the album a must for Bowie completists.



Tracks like Maid Of Bond Street, London Boys and Join The Gang deal with Bowie's youth in swinging London, whilst She's Got My Medals examines gender roles. The ominous We Are Hungry Men depicts a totalitarian nightmare where population control is carried out by cannibalism, amongst other things. Then there's Please Mr Gravedigger, about infanticide, and Little Bombardier, about child abuse. Bowie also explores the innocence of childhood in songs like This Is A Happy Land, Uncle Arthur and Come And Buy My Toys. Let Me Sleep Beside You and When Live My Dream are songs of yearning, quiet moving and memorable.



In a way, Bowie returned to this style of song on 1973's futuristic cabaret Aladdin Sane, albeit with more contemporary instruments and arrangements. That was also the year in which the re-released Laughing Gnome made the top ten in the UK. The music is remarkable and unusual but could find no audience in the psychedelic late sixties when rock legends were made. Those Bowie fans that have assimilated all his transformations down the years might find this an interesting collection, but it often still sounds weird. How great that Bowie persevered to make some of the most compelling music of the 1970s and 1980s. The roots of his genius are certainly evident here.