iTunes 10 New Releases
Looking 4 Myself (Deluxe Version) - Usher
Looking 4 Myself (Deluxe Version) by Usher
Bear Creek - Brandi Carlile
Bear Creek by Brandi Carlile
Phillip Phillips: Journey to the Finale - Phillip Phillips
Phillip Phillips: Journey to the Finale by Phillip Phillips
American Idol - Season Finale - Season 11 - EP - Various Artists
American Idol - Season Finale - Season 11 - EP by Various Artists
Like That - Single - T.I.
Like That - Single by T.I.
In My Life (Glee Cast Version) - Single - Glee Cast
In My Life (Glee Cast Version) - Single by Glee Cast
Like That - Single - T.I.
Like That - Single by T.I.
Bring Me Home - Live 2011 - Sade
Bring Me Home - Live 2011 by Sade
Apocalyptic Love (Deluxe) [feat. Myles Kennedy & The Conspirators] - Slash
Apocalyptic Love (Deluxe) [feat. Myles Kennedy & The Conspirators] by Slash
Sprawl II & Ready to Start (Remixed By Damian Taylor & Arcade Fire) - Single - Arcade Fire
Sprawl II & Ready to Start (Remixed By Damian Taylor & Arcade Fire) - Single by Arcade Fire
| Disc 1 | |||
|---|---|---|---|
| 1 | Hey God | 4:44 | |
| 2 | Something for the Pain | 4:47 | |
| 3 | This Ain't a Love Song | 5:05 | |
| 4 | These Days | 4:32 | |
| 5 | Lie to Me | 5:34 | |
| 6 | Damned | 4:33 | |
| 7 | My Guitar Lies Bleeding in My Arms | 5:42 | |
| 8 | (It's Hard) Letting You Go | 5:52 | |
| 9 | Hearts Breaking Even | 5:07 | |
| 10 | Something to Believe In | 5:26 | |
| 11 | If That's What It Takes | 5:17 | |
| 12 | Diamond Ring | 3:50 | |
| 13 | Bitter Wine | ||
Although there are great arguments for why this is a great album (decent diversity, a few musical moments to shine, an "evolved" sound), even I almost lost the faith right around the "Always" era.
People only look at this album as opposed to the number one hit that came before it when judging it. "Always" was a less-musical version of megahiddengem "I Want You" from '92's masterpiece "Keep the Faith." Alas, it got all the attention, and as always in this industry, you gotta follow it up with something that makes sense (or alteast you think you should). But anyone that knows the principles of cause and effect knows that every stimulus brings consequences.
Hence a ballad-heavy album and softer singles (starting with "This Ain't A Love Song"). And a band in their mid thirties. I never thought this was a bad album, but most agree there was a magic, a fire, that previous efforts oozed, that this album just sort of sat on. The band was maturing, but in a bit of a worried way, just because the music they had just made 2 years ago was so good. And don't forget, it's possible the addition of Hugh could have been atleast a mild contributing factor to the change in group dynamics too. I love their ballads amazingly, but I smelled a change in chemistry at this time.
Fortunately they THEN got to work on the long and tedious process of showing to the world they weren't JUST a ballad band (isn't time funny, NOW they're having to show the world they aren't just a "Livin On A Prayer" band). Anyone who saw them on tour in '95 saw them rip into "Rockin' In The Free World" and never look back. I found the French release of the album and was treated to the two bonus tracks "All I Want Is Everything" and "Bitter Wine" which are better than most of the album tracks. I focused on the heavy interlude in "My Guitar Lies Bleeding In My Arms" and something happened; I curiously started listening to the album with a frequency almost as great as previous albums.
4 Years Later, in 1999, I had an epiphany. Not that everyone has to get the same thing I do, we all respond in different ways. I was on vacation and listening to the album; the first ever Bon Jovi song I flat-out DID NOT LIKE ("Something to Believe In") followed into my ears. And when Jon did the most gutwrenching scream that I ever heard (towards the end), it was really weird. I sat up and adrenaline started flowing, emotions ran wild, and a lightbulb came on. I got "it." The "it" that this album speaks to me. It might speak differently to you, but once again baffled by the fools who call Bon Jovi campy and cheesy, I understood the profound emotional bedding within the framework that is "These Days." And now, I think it is a truly remarkable effort. Needless to say, I love ALL the songs now.
If you are a patient and understanding human being and you own "Keep the Faith", "New Jersey," and "Bounce", it is in your best interest to get this album. Just don't have any preconceived expectations of what it should be.
PS - commentary about this particular release - the video is a perk, but the REAL gems - the reason I actually paid 40 dollars (!!!) for this many years ago - are the two songs at the end, not on the American Release - They are arguably the best songs on the whole album (Jon always says what a crappy A&R guy he is, he wanted "Livin on a Prayer" off of Slippery for God's sakes!!!), and sometimes I go to this album ONLY for those songs - "All I Want Is Everything" and "Bitter Wine". Neither song is held captive by the softening ways of the group at the time. They are really of a higher quality than most of what the band was writing here (which again, is not bad anyway!). Granted, "Bitter Wine" is a ballad, but it's not formulaec at all, and it's one of the best ballads I've ever heard. The extra money's worth it. GET THIS.